本文以佛國文化藝術〈飛天〉為起始，繼論風格各異的舞蹈文化〈胡旋舞〉、〈胡騰舞〉對中國舞蹈發展的影響。論文目的聚焦在分析當時壁畫、服飾、音樂，從而瞭解當時舞蹈風格以及舞蹈形式。研究發現，絲路開通後帶來大量的西域樂舞，〈飛天〉呈現出「飛舞」、「輕盈」、「柔和」的共同特質；〈胡旋舞〉急速旋轉，節奏鮮明，動作輕快，而〈胡騰舞〉像鳥兒般跳躍，俱是具技巧性且難度極高的舞蹈。在服飾上一反原有寬袍大袖厚實的裝扮，使得身體行動輕便自如，在樂器音律、節奏上的明亮、活潑、開朗，給予振奮愉悅之快感。因而改變動作張力，不論旋轉、踏踢、跳躍之技巧均有了大幅度的提昇。今日普遍受到西方文化衝擊的中華傳人，受到絲路文化的啟迪，可回顧以往文化融合之際的兼容並蓄精神，以達藝術臻美的境界；這些舞蹈風格，並可做為今日創新中國舞蹈風格的借鏡。

This paper was on the influences of the Buddhism tradition from the silk roads to China, especially the influences on Chinese music and dance in the years of 6th to 10th Century. The focus of the paper was to research reprints of cave paintings and ancient Chinese poetries dated after the Han Dynasty in order to extract the imagery of three important dances related to that time: The Flying dance, Hu Spinning, and Wu Tang Dance.
The research revealed that the Flying Dance placed a major theme on weightless, curvy and soft gestures, while both Hu Spinning and Wu Tang Dance emphasized on fast turns and quick leaps. Unlike Chinese traditional dances, both these dances were with fast rhythms and beats and skillful leaps.This paper also reported that the body movements of the above three dances had a close relationship to the music instruments and costumes afferent to China from India and Xinjiang. Without which the physical beauty of the three dances might not attract such great attentions from the Chinese royal court and civilians at the ancient times.