昆德拉的小說致力於實現哲學、敘述與夢幻的統一，「夢」經常成為其小說題旨的隱喻，在作品中具有舉足輕重的地位。在前期作品中，夢的敘述被視作「複調的對照」和「對位的線條」；而在後期作品中，昆德拉以夢幻來架構整個作品，實現了「夢幻與真實交融」之雄心。他對夢境的化用合乎其所謂「不確定性的智慧」之小說精神。本文分析昆氏主要小說作品並結合《小說的藝術》、《被背叛的遺囑》中的相關論述，探討其夢幻敘述策略及緣由。

The fiction work of Kundera tends to unite philosophy, narrative and dream, so the metaphorical dreams play a significant role in his writing. In early works, the dream narrative was used as “polyphonic confrontation” and “one of the elements of counterpoint,” and in later
works, the oniric narrative structures appear to be a pivotal point of his novels’ construction and Kundera thus fulfilled his ambition formulated as “the fusion of dream and reality.” He found in the dreamlike narrative “the wisdom of uncertainty”, that he considers as the spirit of modern novels. In this article, on the basis of the analysis of Kundera’s major works, we will inquire the functions and reasons of dream-narrative in his narrative strategy.