戰爭詩書寫自古已成傳統。本研究嘗試介紹文學、文化、傳播等三個可能的取徑，探討諸方法運用於台灣戰爭詩研究的可行性。首先，透過文學研究觀點的作品敘事分析、文本定位、風格特色，領略作者創作動機及時代特性；次從文化觀點的族群、國族經驗與心理層次，探討台灣當代戰爭詩書寫史的異質性與對立性；最後則從傳播觀點的傳播者／閱讀者角色互動論、批判視野的探訪，解答戰爭詩產製者／消費者之間的權力關係。本研究並將探討台灣當代戰爭詩多元的風格，並藉不同時空、場域的劃分，介紹戰爭詩在台灣文學史上特殊的定位。

War poetry has its own tradition in literary history. This study focuses on the research methods of literary, cultural, and media perspectives applied for the Taiwanese War Poetry research. First of all, the author uses narrative-analysis, text positioning, and characteristic viewpoints to figure out the momentum of creation. Then, the author focuses on cultural aspects, including ethics, nationality and psychology, to describe the opposing view points of war poetry's history; On the other hand, this study introduces the critical relationship of the poet and the reader by analyzing the role of the interaction of communicator and the reader. This study will also introduce the extraordinary position in the history of Taiwanese war poetry.