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哲學與文化 A&HCICSSCI

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篇名 心源論與中國文藝美學的本原建構
卷期 40:3=466
並列篇名 The Concept of Heart-Origin and the Origin Construction of Chinese Literary Aesthetics
作者 曹勝高潘碧華
頁次 091-105
關鍵字 師心論心源論心化論虛心論中國美學本原建構The Concept of Heart-learningConcept of Heart-OriginHeart-IntegrationNothingnessPurenessChinese AestheticsPrimitive ConstructionA&HCI
出刊日期 201303

中文摘要

師心論是中國傳統藝術的理論基礎,它源自於先秦哲學的心源論,包含了儒家的心化論、道家的虛心論,經過了佛學明心論的滋養,中國古代藝術家可以圓融地處理物我關係,促成中國文藝形成獨特的創作思維和美學觀念。

英文摘要

The concept of heart-learning is the basic theory to explain the creation of Chinese traditional art. Basically, this theory comes from the concept of heart-origin in pre-Qin philosophy, which included heart-Integration from Confucian and nothingness from Taoist. After nourished by pureness from Buddhist, the Chinese artists can manage the contradiction between individual and others. The concepts help to bring about the exclusive creative thinking and aesthetics of Chinese traditional art.

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