無患子「地府皇家聯誼會」系列小說：《唐棣之華》及《幾希復幾希》內容描述歷代帝王死後成鬼的生活，但其中運用了大量古代正史小說所記載的史事、傳說，這些典故的使用一方面展現歷史，另一方面則是兩書後現代戲仿、反諷及眾聲/喧嘩現象所施力之處，小說藉著當代語彙與歷史語彙的交錯對話、相互詮釋，動搖了正史記載的封閉意義。

Tangdizhihua and Jixi fu jixi, in Wuhuanzi’s “The Royal Club in the Hell” series are about the afterlives of all emperors in the past dynasties. This paper argues that, by adopting a lot of allusions and quotations from the historical records to shape the characters, and creating her irony parodies of these historical allusions, Wuhuanzi shows her contemporary interpretation of history. And this parody and irony style is taken as one of the main characteristics and narrative techniques of postmodernist literature. This paper also explores how the authority of formal history is shaken by the dialogues between Wuhuanzi’s contemporary interpretations and the official historical records woven in her works.