在中國古代，對詩文集進行註釋的附註，很早以前是僅限於《楚辭》、《文選》等這樣的一部分總集的。然而，到了宋代，個人的別集也開始了註釋的附註。不僅是陶淵明、李白、杜甫、韓愈、柳宗元等宋代之前的文人們的詩文集，宋代文人王安石、蘇軾、黃庭堅、陳師道、陳與義等的詩文集也同樣被附上了註釋。本報告就是在一系列的詩文集中，特別是以蘇軾和黃庭堅的詩集所附註的註釋為例，對其文獻學、文學論上的特色進行了考察。試圖通過這一考察來揭示宋代文人對先人詩作「傳播和接受」的一端。此外，本文涉及的「生成論」是指將草稿(即真跡)納入視野來考察文學作品是如何產生的研究方法。

In the ancient China, footnotes were only marked in Chu Chi and Zhao Ming Wen Xuan these kinds of collected works. When it came to Sung Dynasty, people started to add footnotes to personal collections. Not only in the collections of scholars before Sung like Tao Yuan-Ming, Li Bai, Du Fu, Han Yu, and Liu Zong-Yuan, etc., but also in the contemporary scholars’, like Wang An-Shi, Su Shi, Huang Ting-Jian, Chen Shi-Dao, Chen Yu-Yi, etc.. This essay aims to observe and study the bibliographical and literary features of a series of collections, and especially takes the poetry collections of Su Shi and Huang Ting-jian for example. Furthermore, how scholars of Sung Dynasty disseminated and receired the poetry of their ancestors can be revealed through this revision. Besides, the Genetical Studies mentioned in this essay refers to the research method of studying the original manuscripts (autograph) to discover the process of literary production.