就唐代敦煌的環境而言，能夠流行於軍官士兵（征夫）群中，甚至是因為軍官士兵而創作的歌曲，理應成為此時此地通俗歌曲的大宗。然考察敦煌寫卷，發現以征夫表達遠戍之苦，或怨嘆從軍為主題的歌曲數量其實很少，反倒是表現征婦居家愁怨歌曲的為數可觀。而筆者依循著探究敦煌歌辭與庶民生活的構想，關心這些流傳於民間，大多數無法準確斷定作者與創作時代的敦煌「征婦」歌辭，究竟何以能夠流行？對於敦煌邊地軍民的意義為何？到底有何創作上的特殊安排？於是，筆者發現征婦歌辭普遍蘊含著「設想」及「反思」之情，且因為這兩種人情作用的巧妙安排，使這些征婦歌辭，不僅道出征婦的心聲，也緊緊扣住了征夫（軍官士兵）的心緒，成為他們愁思道不得的安慰。因此，全文將從詩歌寫作運用「設想」與「反思」之情的背景（淵源）切入；接著，從此類歌辭設景造境與呼告「恨征夫」的用意開始探索，進而分析、探討其中種種設想之情（例如設想征戰情況、自身前往、心思交流、戰爭結束、征夫歸來），反思之情（例如反思自身遭遇、行為之不自主反應、自主反應），以呈現敦煌「征婦」歌辭善用設想與反思之情的諸多面貌。

Dun-Huang is a military stronghold in the Tang Dynasty. As a rule, the most popular songs were appearing soldiers' mind. When I read the Dun-Huang notes. I discover the song about soldiers' mind were very few. In the other hand, the songs about conscript women (soldiers' wife or girl friend) were very numerous. What were the reasons? I concerned the relations between people and songs. I study the conscript women songs in the Dun-Huang notes. Now I understand the key point were emotions expressed. Especially about imagine and reflect ways. They imagine and reflect conscript women and soldier's situation. This paper would appear the result and cite examples. Including, the woman imagine the situation of war, the soldier come back and reflect her situation.