本論文是以女性影像文本與婦運女性訪談為主的跨文本研究。分析的女性影像文本是以臺灣灣新電影(1982-1986)中有關將禁鋼母親符號的文本為主，因文本中均呈現女性順服於父權體制下對女性的「闇淑」教養，成為一個無我的「她者」:母親。然而本文經由與婦運女性的生命對話訪談，了解此背後仍不乏女性主體的抵抗吶喊。因女性影像文本正值八十年代婦運的萌芽、發展階段，使女性了解彼此同命，並相互對話、救贖，走出父權話語內化女性符號的獎籬，以「無言的母親」做為女性生命的一生。

The article research is the cross text between female images and feminine interview. Theanalysis female image text will be related imprisons the mother mark by the Taiwan new cinema (1982-1986) primarily, because it present the female to obey feminine education under patriarchy and become an altruism“she": Mother. This article discusses behind the mother mark which was still many female subjects resistance' because the female image text during the 80's women movement beginning and development made the female to converses mutually and redeems each other ' then went out the words from patriarchy to internalize the feminine mark being “thenon-word mother" as women's destiny.