陳澧是經學家、思想家、聲韻學家，卻極少人注意到他的詩詞。而他所作的「論詞絕句」既可看出他論詞的態度，反映出他的詞學觀，也可以看到他的詩學功力。本文係針對陳澧〈論詞絕句〉六首，予以探析。這六首詩是詳論（一）：李白詞學地位；（二）東坡〈洞仙歌〉檃括蜀詞之事；（三）姜白石〈暗香〉、〈疏影〉用典的晦澀；（四）道學大師真德秀的詞情；（五）吳文英詞亦有清疏之作；（六）張玉田詞具隱逸思想等。綜析此六首詩，可知陳澧極熟稔張炎、吳文英、姜夔等人的作品，且認為不應以經學的態度作詞，詞應該保有它婉約的特質。

Chen Li was a classics scholar, thinker and Chinese phonologist; however, few people paid attention to the other field—poetry. His poetic achievements and concepts were reflected by reading his “Lun Tzu cut-shorts” and knowing his attitude. This article inquired into Chen Li’s six lyrics of “Lun Tzu cut-shorts,” which were discussed the following dimensions: （1）the status of Li Pai’s lyrics, （2）Su Tung-po’s “Tung Hsien Ge” quoting the story in Shu province,（3）Chiang Pai-shih’s “An Hsiang” and “Shu Ying” which showed his obscure allusion,（4）the Taoism master Chen Te-hsiu’s poetic feelings, （5）Wu Wen-ying’s clear and resounding works, （6）Chang Yu-tien’s lyrics full of seclusive thoughts. To sum up, Chen Li was quite familiar with the works of Chang Yen, Wu Wen-ying, and Chiang Kuei. He thought a poet should not write a poem with the attitude of classics but retain the graceful and restrained characteristic of a poem.