本篇論文以日本著名學者高田真治在《漢詩大系》中的名著《詩經》為研究對象。高田氏是東京帝國大學教授，文學博士，曾擔任天皇侍講，學術地位及聲望都十分卓越。
本篇只選取高田氏《詩經》中的〈周南〉至〈鄭風〉為範圍，因為這是個人從事日本學者著作研究的開端，為求審慎，先嘗試一小範圍的研究。
在這篇研究中，有關高田氏對中國先儒著作、學說的取捨情況，他對《詩序》的看法，以至訓詁考證特色等相關問題，都有所探討。

This paper is a study of the famous Japanese scholar Takada Shinji’s famous work Shikyo in Kanshi daike. Takada is a professor of Tokyo University. A renounced scholar famous for his erudition, not only a Doctor of Philosophy in literature, Takada also worked as a (仕講) for the Japanese emperor.
In this paper, I would like to focus on the part from “Chou nan” to “Cheng feng ” in Takada’s work. I will deal with Takada’s preference of certain Confucian texts, his view of the “Preface of the Book of Odes,” and his method of textual criticism.