篇名 | The Metrical Structure of Changhua Folk Verse |
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卷期 | 32:1 |
並列篇名 | 彰化民謠之節律研究 |
作者 | 蕭宇超 |
頁次 | 1-29 |
關鍵字 | Corpus 、 Folk verse 、 Optimality theory 、 Constraint ranking 、 Metrical structure 、 語料庫 、 民謠 、 優選理論 、 制約層級排序 、 節律 、 Scopus 、 THCI |
出刊日期 | 200601 |
民謠在傳統研究上有兩個缺點:一、素材僅限於少數韻行;二、只著重語言個別派生規律,而缺乏普遍性。本文建立一個720 行的彰化閩南語民謠語料庫,並提出一個非派生分析。從這個語料庫顯示,大部分的韻行屬陽性節律,占90.67%,而拍板分享則是避免陰性節律的手段。本文在Prince and Smolensky (1993)的優選理論框架下,提出一組節律制約。這些制約屬於普遍語法的一部分,而在彰化民謠中呈現語言個別性的層級排序。
Traditional treatments of folk verse have two disadvantages. First, they focus only on a small number of lines. Second, they pursue derivational rules on a language-specific basis, but lack universal validity. This paper establishes a corpus of 720 lines of Southern Min folk verse in Changhua and provides a non-derivational analysis of the data. The corpus shows a preference for masculine rhythm, which is found in 90.67% of the data. Metrical beat sharing, then, allows feminine lines to be avoided. This paper puts forth a set of metrical constraints under the framework of
Prince and Smolensky’s (1993) Optimality Theory. The constraints are part of Universal Grammar, but are ranked language-specifically in Changhua folk verse.