楊徒、昌的影片《特嶺街少年殺人事件»(1991)講述殺淫婦的故事。本論文第一部份嘗試分析影片故事的主題，flp父權體制下權力與慾望的難題。第二部份探 討此片自我檢視的有超現象，結采發現，此片並未達到任何有效的自我批評，卻沈i是於對其自身結構的無止金質析中。此片的結構之結構性，成為此片唯一且最重妥的主題。如此，藉著將投淫婦之舉貶為“不是手其大結構重妥\"，奠基於殺淫婦的整套體系再度得以自間。

De-Chang Yang's film， A Brighter Summer Day (1991)，tells the story of the murder of an unfaithful woman. The first part of this paper tries to analyze the theme of the story told by the film， that is， the theme of the problems of power and desire under patriarchy. The second part of the paper focuses on the film's effort at self-scrutiny. Itis found that， instead of arriving at any valid self-criticism， the film plunges itself in an unlimited indulgement in， or an unending study of， its own structure. The structuality of the film's structure becomes the theme of the film. Thus， the whole system based on the murder of the unfaithful woman is consolidated once more， this time by way of dismissing her murder as“something less important than the film's structure."