臺灣的中正國家劇院成立於1987 年，硬體設施包括戲劇院（含實驗劇場）與音樂廳（含演奏廳）。興建當時是在特定的時空環境下，園區的規劃與執行，都具有紀念蔣介石的特質。近年來，隨著社會藝文發展的需求，園區的印象，已由威權逐漸解構為民眾休閒與文化活動的場域，既有的表演空間，特別是戲劇廳的功能與角色，受限於演出場次的闕如，無法滿足演出單位的需求，間接地影響臺灣戲劇的發展。本文主要的論述在研究戲劇廳的執行演出，從1987 年開館至2007 年為止，逐年透過數據的分析，來驗證場所不足的嚴重性，並且作為未來探討空間轉化可行性的論述基礎，以提供主事者針對現有空間應該進行有效地串連與再開發思考，進而將中正文化中心，發展成為民眾日常親近藝文生活的場所，以及代表臺灣作為面對世界文化櫥窗的可行性。

Taiwan's Chiang Kai-shek National Theater, founded in 1987, its facilities, includes Theatre with Experimental Theatre; Concert Hall with Recital hall. At that time, in particular the construction of the space-time environment, the center's planning and implementation, have the
characteristics of Chiang Kai-shek Memorial.In recent years, with the needs of social development and democracy, the impression of the CKS Center has been a gradual disintegration of authority to the people of leisure and cultural activities of the field. The layout of the center is inconsistent with the use of demand. The form of this space not only represented a rigid body, but also limited the visitors to come and use of the center as a leisure area.This article intents to discuss the confined theatre space at the National Theatre, from collected research and cross exam of the data analysis, to define the lacks of space for theater performance and to suggest the possibility to create new space for theatre, and solution for future redevelopment in the CKS Center as a whole. Through the conversion process and the activation,which Chiang Kai-Shek Cultural Center will be developed into a popular day-to-day close to
places of cultural life, as well as a representative of the window image of Taiwan Arts & Cultural Center.