自宋至明的題畫詞人有 273 家、詞作有 789 首。題畫詞中以題詠人物畫的詞作為最多，而題詠人物畫的詞作，又以題詠美人畫的最多，達 159 首。從題詠美人畫的詞作內容可以看出詞人們觀看趣味的變化。題畫詞作對描寫美人慵懶、閑雅生活場景的畫作觀看題詠得較多，甚至形成了題詠組詞。對以宮中美人生活場景、對歷史上著名美人、對戲曲小說中美人的畫作的觀看題詠也較多見。而明末清初女性詞人對當代女子陳素素的寫真進行的題詠詞作，也值得注意。題詠美人畫作的詞作雖然較多，但能夠與畫作一起保存下來的並不多見，所以難於結合畫作進行討論。

Since the Song Dynasty to the Ming the total number of the poets who had written Ci lyrics on painting reaches 273, and the lyrics up to 789. Most of these Ci lyrics centered on figure painting, and the lyrics on the beauty painting account for the most, up to 159. Based on the contents of these Ci lyrics on the beauty painting the changes of Ci poets' taste can be chased. These Ci lyrics on painting concentrated mostly on the beauties’ free and elegant life, especially the beauty in the palace, the beauty famous in the history, and the beauty widely described in the opera and novel, even formed specialized word groups. The Ci-poetess’lyrics on Chen susu’s photos in the late Ming and early Qing Dynasty is deserved to be studied. Although the total number of Ci lyrics on beauty painting is large, the pieces of lyrics preserved along with the painting is rare. Then it is unlikely to study these Ci lyrics
combining with the painting.