悲劇(tragedy)，作為戲劇藝術的一種重要形式，它反映的是一種悲壯而崇高的「美」。而電影(film)，作為另一種藝術形式，它透過視覺構圖與影音的傳達，使其成為另一種「美學的載體」。此外，「愛情」(love)作為人世中無法缺乏的生命元素，它構成了人生中很重要的一部
份。緣此，本文透過黑格爾悲劇美學原理之啟發，試圖歸類幾部電影中愛情的衝突與和解等歷程，藉以作為觀者或閱讀者電影賞析的參考。

Tragedy, as an important form of drama, it reflects a kind of tragic and noble esthetic sensibilities. The film, as an alternative form of arts, it’s a media communicated to audience by visual and audio images, and to be a form of "the vehicle of aesthetics”. Moreover, love, as an
important element of life, we can not lack of it. Therefore, this paper attempts to explore the conflict and reconciliation from several love films by adopting the concept of Hegel’s tragic aesthetic theory.
It wishes to help audiences to appreciate what “tragedy” is.