《仝唐詩》中春字出現頻率高於秋字，但是翻檢《仝唐詩索引﹒李白卷》李白(701-762)卻以350首表現秋季，高於春季的305首，運用秋季的時間概念高於春季O且唐人一般用「日」多於「月J'而李白卻寫「月」多於「日J'這也是特殊的情況，無論就質或量來觀察李白詩中秋與月的結合，都是非常特出的O本文嘗試結合李白喜愛表現的秋季和月亮，先統計秋月詩的數量，並考察秋月在其創作生涯中分佈的的情形，再次是勾勒秋月詩的聯想脈絡，最後就文意觀察李白藉秋月抒發的情緒O李白詩中的月亮，以秋月為最多，從少年到暮年皆有出現，分佈得廣，卻不均勻，以中晚年後的密度為高O李白和秋月互動產生的感情是多元的，但是反映最多的還是他傳統知識份子的身份和心態，不過和無所用是他心中永遠不能解闊的哀傷O

au叫Itumn.But by searching ‘'CompleteCollection of Tang Poetry Index， Li Po Volume"， Li Po (701-762) described autumn in 350 poems. Moreover， the people of the Tung dynasty used “sun"more times than“moon". But Li Po used“moon" more than“sun". This is a special situation. Itis very outstanding to observe the combination between autumn and moon in quality and amount. The article tries to combine autumn and moon which Li Po liked. First， gather the amount of “thepoem of the autumn moon "，and then inspect how the autumn moon is distributed in his creative career. Itdraws the outline of associating with something in thinking， Finally when I observe the meaning of Li Po's poems， he expressed his emotion with the autumn moon. Among Li Po's poems， the autumn moon appears most. From the teenager to the elderly， it spreads widely， but not evenly. He used it most， when he was at his middle-old age. The feelings between Li Po and the autumn moon are diversified. Itreflected his traditional intelligentsia position and psychology. The pain of having frustration talent is never cured in his heart.