客語小說的成長甚為緩慢，近年六堆地區掀起一股客語鄉土文學的寫作風潮，總算誕生了兩本客語小說:黃火廷的〈飆神〉、李得福的〈錢有角〉。本研究擬以黃火廷、李得福的作品為例，探討客語小說的美學建構，全文分成四大面向探討之:其一，追溯客語文學的嚼起和發展、客語小說的誕生。其二，探討客語文學的鄉土美學理念，並從鄉土語言及題材之經誓，檢視客語小說所呈顯的鄉土美學特質。其三，探討客語小說的審美批評標準'藉由人物的對話及心理描寫、語言的藝術之分析，檢視客語小說的美學成就。其四，釐清客語小說與客家民間文學的差異，從作者的創作、讀者的接受兩方面論述其客家新文學之特質。最後總結客語小說在母語文學創作上的意義和貢獻。

This study is for the purpose of examining the Aesthetic Construction of Hakka literature at Liug- Tui areas in Taiwan by the collections of fiction of Huang Huo-ting and Li De-fu， namely “Beu/ -Siin V "and“qien V -iu / -gog". The study will focus on the following faces: (1) Review the rise and development of Hakka literature， the emergence of the Hakka fiction. (2) Analyze the native aesthetics ideas of Hakka literature， and examine the native aesthetics characters of Hakka fiction from the management oflanguage and creative material. (3) Analyze the aesthetics criticism of Hakka fiction， and examine the Aesthetic achievement of Hakka fiction from the portrait of character and the express of language. (4) Clarify the difference of Hakka fiction and Hakka folk literature， and discuss the character of Hakka new literature from the creation of author and reception of reader. (5) Summarizes and reviews the significance and Contribution of Hakka fiction in the native language literature history.