本文是執行國科會「年輕學者學術輔導與諮詢計畫」的研究成果，該研究計畫的特色是邀請薪傳學者做為諮詢對象，以傳承薪傳學者的專業研究。此次筆者邀請的薪傳學者是陳萬蕪教授。陳萬蕪教授曾任國立故宮博物院編暴、主任、簡任十四職等研究員(1970-1992)，以及國立臺灣師範大學音樂研究所兼任教授(1982-2003)。本文內容主要是敘述《清史﹒樂志》做為一部文字書寫音樂資源的正史，其中所呈現出來的作者敘述態度，尤其針對黃鐘律所做的說明，期能彰顯陳萬孺教授撰寫《清史﹒禮樂志﹒樂篇》的具體成就，並且藉此能夠指明文學與音樂關係研究的一種研究方向。

This paper was written as a final report pursuant to a plan issued by the National Science Council in 2009. Through the plan, a senior scholar is invited to help a younger scholar to engage in scholarly research. The senior scholar invited for this research was Professor Ch’en, Wan-nai, who worked at the National Palace Museum from 1970 to 1992 and served as a Professor in the Department of Music at National Taiwan Normal University from 1982 to 2003. This paper presents the narrative discourse given by Professor Ch’en about Ch’ing Shih Yüeh Chih, provides insight into the relationship between literature and music, and discusses the pitch of Huang Chung.