梁宮之體，因時會而同型；徐庾之風，隨境遷而異調。同型睿製，辭士之所競標；異調高才，藝林之所爭仰。以言乎體，聲貌一而形同；以論乎風，質情二而神異。以言乎體，聲貌一而形同：一曰立平仄互諧之規，鏗鏘並奏。二曰倡四六隔聯之矩，熠燿相華。三曰典故積簡，鎔鑄精工。四曰連詞竄編，轉折靈利。以論乎風，質情二而神異：一曰文富策詔，徐以說理見長。二曰篇多駢辭，庾以抒情為勝。梁宮「體」貌，陳豔型於詞鋒；徐庾「風」情，詠高調於筆海。懷鉛吮墨之士，依「體」而擬；抱質抒華之徒，向「風」而望。擬「體」寫志，得其皮相之華；望「風」傳神，弸其骨中之實，豈不懿歟？

The Royal Style Verse is the well-formulated genre but develops different styles by places. Xu Ling's and Yu Xin's styles are dominant ones which are popular among the writers. They share the same patterns on genre: first of all, the harmony on stressed and unstressed syllables; second of all, the parallel of Four-Six antitheses; third of all, the emphasis on allusions; fourth of all, the fluency of composing by transitions. However, they deliver different values by applying their unique styles: Xu's is analytic whereas lyrical expression is extraordinary in Yu's. Based on the Royal Style Verse's splendid phrasing, Xu-Yu's styles further enrich this genre. Therefore, the writers at that time following strictly the formulated genre possess the virtues of the form; others probing into the styles expand the insight.