篇名 | 論意象之組合方式-以趙山林《詩詞曲藝術論》所論爲考察範圍 |
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卷期 | 14 |
並列篇名 | The Combination of Images-Study on The Artistic Theory of Poetry |
作者 | 陳滿銘 |
頁次 | 087-126 |
關鍵字 | 意象組合 、 深層因素 、 層次邏輯 、 章法結構 、 趙山林詩詞曲藝術論 、 combination of images 、 profound element 、 layer logic 、 the organization of writing 、 Zhao Shanlin 、 The Artistic Theory of Poetry 、 THCI |
出刊日期 | 200711 |
意象之組合方式,已有多人作過有益之探討,其中以趙山林《詩詞曲藝術論》所論承續、層遞、逆推、並置、對比、反諷、輻輳、輻射、交錯、與疊映等共十式,最為多樣,而受到重視。本文即以此為範圍,依序以「層次邏輯」所形成之「章法結構」切人,作一觀察,證出其「深層的因素和邏輯」可藉以「挖掘和探索」以見「意象組織.和「章法結構」密不可分之關係。
There are numerous studies on the combination of images. The Artistic Theory of Poetry, authored by Zhao Shanlin, is one of the most important literatures. Zhao had outlined ten patterns of the combination of images; namely, continuation, progression, backward induction, juxtaposition, contrast, irony, convergence, divergence, chiasmus and reflex. Based on these patterns, this article discusses the organization of writing constructed by layer logic, and demonstrates the close relationship between the combination of images and the organization of writing. And their profound elements could be explored and discovered accordingly.