近來台灣的外籍新移民女性人口大量增加，外籍配偶的人數已直逼原住民，成為台灣第五大族群。自2001年林筱芳的《外籍新娘在美濃》台灣出現第一部有關外籍新移民女性紀錄片，迄今這8年當中，大約已有將近11部紀錄片產生。本文將挑選有關以外籍配偶為敘事文本的不同媒介之作品下說故事的方法，並探究紀錄片作為記錄的媒介，又有何其說故事的特殊性和侷限性？這些有關外籍配偶的影片是如何呈現外籍配偶的形象、如何展現主題、訪談的內容，並探討紀錄者的記錄位置、性別、觀點；如何替外籍配偶發聲，如何在再現真實上展現影像的離散美學？同時對照《望向彼方─亞洲新娘之歌（三）》（2009侯淑姿個展），以不同媒介作為敘事手段（照片和文字），和動態影像和靜態影像之間產生了何種差異性？紀錄影像本文以2003年蔡祟隆的《我的強娜威》、2003年溫知儀的《兒戲》、不同性別導演下，對於女性新移民的影像再現呈現有何種不同之風貌。期待未來藉由影像探索的各種可能性，關懷更多新移民的現實處境。

Recently, while the population of foreign new immigrant women in Taiwan increases, the number of foreign spouses has been exceeding the number of the aborigines, and is becoming Taiwan's fifth largest ethnic group. From the work of Lin Xiaofang, "The Foreign Brides in Meinong" in 2001, Taiwan appeared the first documentary about women in foreign immigrants. After 8 years, Taiwan has produced nearly 11 documentaries since then.This article will select works related to foreign spouses as their main narrative text under the photography and the documentary, to compare their methods of storytelling, explore the documentary film as a medium of record, what specificity and limitations do they have? How these movies related to foreign spouses present the images of foreign spouses, how do they display themes, contents of interviews, and discuss their position of recording, gender, perspective; how to speak for the foreign spouses, how to display the aesthetics of diaspora through the representation of images? At the same time, compare them with "Look to the Other Side ─ Asian Bridal Song (III)"(2009 Hou, Shu-Chi solo exhibition), as a narrative means of , look what differences lie in between its moving pictures and still images? Documentary films will be selected 2003, Tsai, Tsung-Long’s "Chinese Brides in Taiwan", 2003, Tsai, Tsung-Long’s "My JohnNaWei", 2003 Wuen, Zh-Yi "Frivolous". Moreover, in style what differences would there be between the cross-art presentations of images for reproduction of female immigrants etc..are also examined by the article. It look forward to exploring the various possibilities through images, and care more about the realistic situation of new immigrants.