本文冒在論述魯迅詩學所蘊含的一種非理性視域，進而探討漢語美學現代性的議題。文中嘗試綜合考慮西方詩學影響、本土民俗體驗、作者人格構造等三種因素，進行相互印證，以便展示其繁攘的面貌。首先，將重考青年魯迅留日時期所受容的「摩羅詩學J '著重闡釋他對平和美學觀與馴良倫理觀的批判。其次，則將分析魯迅對「民間信仰」的運用與「志怪傳統J 的發揚。一則聯結外來的「摩羅」與本土的「鬼物J '一間區判「魔/鬼J 的型態與內癌。最後，則從「詩意」輿「詩語」等兩個方面，進一步觀察非理性因素如何落實於文本，創造富於現代性的嶄新詩學範式。

This artic1e discusses the visions of irrationality in Lu Xun's poetics andexplores modernity in Chinese esthetics. 1 consider three factors synthetically-poetic influences from the West, local folklore, and the personality ofthe author-which, studied together, reveal their complicated features. First,the Satanic poetics that Lu Xun had accepted since his youth in ]apan isre-examined. My interpretation emphasizes what he criticized about the ethicaltrends toward docility as well as the esthetic trends toward peace. Next,this artic1e analyzes how Lu Xun applied the “experience of folk belief" anddeveloped the “tradition of anomaly writings" (zhiguai). 1 connect foreign“Satan" (Mara) and local “vengeful ghosts," on the one hand, and recognizetheir particular type and content on the other. Finally, 1 focus on “poeticmeaning" and “poetic language" to observe how irrational factors werepracticed in texts. The result has been a brand-new poetic paradigm which isrich in modernity.