譚元春晚年著有《遇莊》一書，此書的寫成意昧著竟陵派詩學與《莊子》之間具有雙向會通的關係:一方面，鍾惺與譚元春建構竟陵派的詩歌理論時，曾化用了莊子與道冥合的思想;另一方面，待竟陵派的詩歌理論建構完成後，譚元春又將竟陵詩學的內蘊融入於《莊子》的解讀。本文以《遇莊》一書為討論對象，用意即在於探究竟陵派詩學視野中的《莊子》詮釋呈現何種樣貌，以及此一詮釋理路在《莊》學史上的特殊性。文章將先考察「《遇莊》的成書經過」並釐清《遇莊》與譚元春評點《莊子南華貴經》之間的關係;其次則以「藏去故我的閱《莊》態度」、「海中拾珠的詮《莊》方法」兩個面向，闡發《遇莊》中所提出與莊子精神相遇的門徑;最後以「孤迴而深情的莊子形象」作結，說明此一人格形象其實是譚元春處在與莊子精神合一的狀態中，自我生命的一種投影。

Tan Yuan-Chun writes the Yuzhuang in his late years， and its completion denotes a mutual interrelationship between the Zhuangzi and the poetics of the Jing-Ling school. Whileconstructing the Jing-Ling poetics， Zhong Xing and Tan Yuan-Chun adopt Zhuangzi'sthought “fusingwith Tao"; after the Jing-Ling poetics is completed， Tan interprets the Zhuangzi with it. With the Yuzhuang as the subject of discussion， the article explores the interpretation of the Zhuangzi from the perspective of the Jing-Ling poetics and presents the particularity of this interpretation in the history of Zhuangzi studies. Firstly clarified are the writing process of the Yuzhuang and the relation between the Yuzhuang and Tan's criticism on the Zhuangzi. The method in the Yuzhuang of experiencing the essence of the Zhuangzi'sthought is secondly elaborated. The last part of this article concludes that the solitary and affectionate Zhuangzi in Tan's opinion is actually an image he project himself on when he grasps the spirit of Zhuangzi'sphilosophy.