創作箏曲是作曲者全新的構思，或是以一舊有音樂片段為素材進行創作或變奏等，並有明確作者、有著作權保障之箏曲。以古典文學為題材之創作箏曲，是融入文學內涵與作品故事題材的樂曲。本文即以相同古典文學為題材創作的不同箏曲作為研究對象。筆者目前蒐集到四首以相同古典文學為題材之創作箏曲：臺灣箏樂演奏者梁在平、中國專業作曲者王建民以唐朝李白的詩〈長相思〉為題材之【長相思】，以及臺灣箏樂演奏者鄭德淵、中國專業作曲者何占豪以漢朝佚名的詩〈孔雀東南飛〉為題材之【孔雀東南飛】。本文研究內容共分四部分：第一部分先概述以古典文學為題材之創作箏曲，第二部分敘述與分析古典文學作品〈長相思〉與創作箏曲【長相思】，第三部分敘述與分析古典文學作品〈孔雀東南飛〉與創作箏曲【孔雀東南飛】，第四部分則探
討創作箏曲音樂如何呈現文學作品的內涵。期透過本文探討曲體結構、演奏技法與古典文學間之關係，使讀者認識以箏樂詮釋古典文學作品的可能性。

Compositions for the Zheng are creative works, or works based on existing pieces,by specific composers and protected by copyright law. Zheng pieces associated with classical literature works are the works that narrate stories through musical notes. This paper has an aim to study Zheng pieces associated with classical literature works.The author analyzes four Zheng pieces based on two classic literature works. Two pieces are composed by Zai-Ping Liang, Taiwanese Zheng performer, and Jian-Min
Wang, Chinese professional composer, based on the classical literature work Changxiangsi (Love-Sickness Forever). The others are composed by De-Yuan Jheng,Taiwanese Zheng performer, and Jhan-Hao He, Chinese professional composer, based on Kongque Dongnanfei (The Peacock Flies Southeast).This paper includes four parts. The first part provides an overview of Zheng pieces based on classical literature works.The second part juxtaposes the classic literature work Changxiangsi and the Zheng pieces based on this work. The third part put the Zheng pieces titled Kongque Dongnanfei next to the classic literature work that the
compositions based on. The fourth part examines how these Zheng pieces present images of the literature works.By analyzing forms and techniques employed in the musical works, and discussing relations between Zheng music and literature works, the author expects to reveal possible ways of interpreting literature works through Zheng music.