蘇辛作品的異同，前人多有論述，本文僅以二人在詞作中「醉」字的字詞搭配與用法，嘗試提供另一視角以見差異。本文從二人詞作中頗能表現「豪放」風格的「醉」字作為分析的材料，以現代漢語詞彙學的構詞知識，統計文本中詞彙出現的數據，即「醉」字前後字搭配的情形，包括偏正結構、動賓結構、謂補結構和主謂結構。在這些含「醉」字的詞句中，我們先觀察「醉」字的用法，包括它在構詞方面所搭配的對象，以及它在詞句中的詞性和所充任的語法功能，然後再依所呈現的現象比較「醉」字在蘇、辛二人作品中的異同，藉由文學作品中的語言現象，提供觀察二人異同的視角。本文以詞彙的結構方式分析，試圖以較具體的字詞，和可描述的角度，從中檢視出蘇、辛二人在相同的「醉」字中，有何不同的「豪放」。這種分析，或可提供文學批評或風格學的另一佐證。

A number of differences exist between Su and Xin’s writings. However, to further examine the differences and provide an alternative perspective, this study focuses only on how the two authors’ used the word “drunk” in their writing, examining which words they matched with the term and how they employed it. Because their writing is characterized as liberal and outspoken, we adopted their use of the word drunk as the material for investigation. To achieve the study goals, we assessed how the word drunk appears in the authors’ writings according to constituting phrases in modern Chinese lexicology that provide the same meaning in a more precise and descriptive manner. Then, we used the statistical information to develop the study thesis. This study highlights the distinctions between Su and Xin’s liberal and outspoken expressions through their use of the word drunk. The results of this analysis may provide an alternative approach for literary criticism or stylistics.