由於時尚文化的風行，配帶合宜的飾品，不僅能吸引眾人目光更添風華，並顯出與眾不
同的的品味。
本研究旨在探討唐朝仕女之飾品融合現代飾品之開發研究。在盛唐文化藝術大放異
彩下，仕女之飾品造型的講究，配件精美大膽造型，可知唐朝國運之盛與富麗之美，考
其文獻圖文、運用聯想與布質組合轉換為具中國文化內涵的現代飾品。意象經過連結、
組合、轉換並加入西方元素重新呈現，無論是頭飾、胸飾，頸飾、手飾樣式都非常重視，
經創作過程後以新的造型設計詮釋現代飾品之風格呈現，飾品除了形式的美觀外，更注
重融合形象的過程，在飾品設計上更顯其價值感與現代感。
隨著時代的變遷與社會結構的轉變，飾品的造型設計在樣式上出現了極大的改變，
由於時尚文化的風行，配帶合宜的飾品，不僅能吸引眾人目光更添風華，並顯出與眾不
同的的品味。
本研究旨在探討唐朝仕女之飾品融合現代飾品之開發研究。在盛唐文化藝術大放異
彩下，仕女之飾品造型的講究，配件精美大膽造型，可知唐朝國運之盛與富麗之美，考
其文獻圖文、運用聯想與布質組合轉換為具中國文化內涵的現代飾品。意象經過連結、
組合、轉換並加入西方元素重新呈現，無論是頭飾、胸飾，頸飾、手飾樣式都非常重視，
經創作過程後以新的造型設計詮釋現代飾品之風格呈現，飾品除了形式的美觀外，更注
重融合形象的過程，在飾品設計上更顯其價值感與現代感。

lot. Due to the prevalence of fashion culture, equipped with suitable accessories could be not
only appealing to huge audience with more elegance, but also shows instinctive taste.
The study is to explore the development and research of modern garnitures integrated with
female accessories in Tang dynasty. Under the shine of Tang’s culture and arts, the prosperity
of Tang’s national fortune and its wealthy beauty could be found by the particularity of female
garniture styling and the exquisiteness & boldness of their styling which figures were
transformed into floral drafts with Chinese cultural connotations by examining literatures,
relevant associations and the combination of clothes texture. The imagery was re-presented by
way of connection, combination, transformation and the addition of western elements. All the
styles of headdress, pectoral, choker and jewelry are emphasized. When they are presented by
actual floral products after the process of creation, they get not only the beautifully external
form, but also show higher sense of value and modernity in designing due to the process of
more emphasis on image-integration.
With the changes in time and social structure, the styling design of garnitures has changed a
lot. Due to the prevalence of fashion culture, equipped with suitable accessories could be not
only appealing to huge audience with more elegance, but also shows instinctive taste.
The study is to explore the development and research of modern garnitures integrated with
female accessories in Tang dynasty. Under the shine of Tang’s culture and arts, the prosperity
of Tang’s national fortune and its wealthy beauty could be found by the particularity of female
garniture styling and the exquisiteness & boldness of their styling which figures were
transformed into floral drafts with Chinese cultural connotations by examining literatures,
relevant associations and the combination of clothes texture. The imagery was re-presented by
way of connection, combination, transformation and the addition of western elements. All the
styles of headdress, pectoral, choker and jewelry are emphasized. When they are presented by
actual floral products after the process of creation, they get not only the beautifully external
form, but also show higher sense of value and modernity in designing due to the process of
more emphasis on image-integration.