在講求綠色設計的時代裡，仿生思維讓設計回歸「美」最原始的面貌，仔細觀察自然
界中的每一角落，在紀錄美妙的瞬間，可從中享受自然之美，並進行反思，從抽離原本的
思考模式過程中，逐漸領悟生命的意涵。本研究以自然為藝術創作的形式，將樹的枝幹、
落葉和人體共同構築出一首具「自然意象」的詩詞，追求「言不盡意」、「意在言外」的想
像空間，呈現出人與自然相互融合的意境，也保留給觀者無限的想像空間，並於觀後能夠
沈澱自我，細細品味，重新綻放嶄新的生命氣息。
在講求綠色設計的時代裡，仿生思維讓設計回歸「美」最原始的面貌，仔細觀察自然
界中的每一角落，在紀錄美妙的瞬間，可從中享受自然之美，並進行反思，從抽離原本的
思考模式過程中，逐漸領悟生命的意涵。本研究以自然為藝術創作的形式，將樹的枝幹、
落葉和人體共同構築出一首具「自然意象」的詩詞，追求「言不盡意」、「意在言外」的想
像空間，呈現出人與自然相互融合的意境，也保留給觀者無限的想像空間，並於觀後能夠
沈澱自我，細細品味，重新綻放嶄新的生命氣息。

original face of beauty, to scrutinize every corner of nature, enjoy the beauty of nature at the
moment of recording wonder, reflect and gradually comprehend the life meaning in the process
of withdrawing from the original thinking pattern.
This study takes nature as the form of art creation to create the poetry of "Natural images" with
tree branches, fallen leaves and human body and pursue the imagination space of “Implied
meaning between lines”, In this way, the fusion conception of people and nature would be
presented and the infinite imagination space for the beholder could be reserved, beholders would
takes on fresh dynamic looks after their pondering and savoring.
In the green design-striving era, the bionic thinking brings the design back to the most
original face of beauty, to scrutinize every corner of nature, enjoy the beauty of nature at the
moment of recording wonder, reflect and gradually comprehend the life meaning in the process
of withdrawing from the original thinking pattern.
This study takes nature as the form of art creation to create the poetry of "Natural images" with
tree branches, fallen leaves and human body and pursue the imagination space of “Implied
meaning between lines”, In this way, the fusion conception of people and nature would be
presented and the infinite imagination space for the beholder could be reserved, beholders would
takes on fresh dynamic looks after their pondering and savoring.