篇名 | 「迷途的文字」:從布朗肖的文學空間看文學行動 |
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卷期 | 12 |
並列篇名 | “The Errant Word”: On the Act of Literature in Terms of Blanchot’s Literary Space |
作者 | 汪海 |
頁次 | 105-127 |
關鍵字 | 文學行動 、 文學空間 、 弱行動 、 布朗肖 、 上帝之死 、 the act of literature 、 the space of literature 、 weak action 、 Maurice Blanchot 、 the death of God 、 A&HCI 、 Scopus |
出刊日期 | 201112 |
文學的誕生與「上帝的缺席」之間存在一定的內在關聯。布朗肖的「文學空間」論不僅闡述了這一關聯,還解構了本體論-神學基礎上人與上帝相同一的人道主義。布朗肖的文學行動論不僅提供了一種新的文學觀,還發掘出一種比傳統政治革命更激進的行動模式—弱行動。弱行動如上帝的創世和受難行動,通過行動者的自我抹除和完全犧牲,通過對權力與否定性本身的否定,試圖與形而上學的暴力相分離,並反復宣告著一個新的開始。而這一開始是對差異而非對同一的重複。
The origin of literature has an inherent relation with the absence of God. Blanchot’s thought on “the space of literature” not only explores this relation but also deconstructs the identity between Man and God in onto-theology, and world centered humanism. On this basis, the theory of the action of literature brings out a new literary theory, and develops a more radical form of action than traditional political revolution, which could be called the weak action. The weak action is the action of a subject’s self effacement and renunciation, just as Christians believe God did in the Creation and the Passion, and by negating power and negativity itself the weak action detaches the violence of metaphysics, and declares the repetitious beginning of not the same but the difference.