稼軒詞歷來研究多著眼於其豪放風格，然除此之外，其詞作中亦不乏「穠纖 綿密」、「體情細緻」之婉約作品，特別是與「春歸」的相關敘寫。稼軒選擇了富 於女性特質之詞體作為個人心緒之傳遞，並且，其春秋兩季的創作於數量亦有差 別。是故，文體及創作時節的擇選與個人情意的表露的密切關係便值得留意。
由於「春歸」一詞包涉了歸去與歸來之雙重方向性，成就了詞中春日的主體 性與流動感。依循此種流動感而生的時空場景，其涵攝範圍亦較他詞人更為開 闊；在空間留白中成就了詞人抒情自我形成的空間。其次觸及詞中婉約表現，分 就對鏡之行為以及惜春體物的姿態摹寫兩點為論，分析其筆下女性姿態與口吻敘 寫的特色。本文試從稼軒春歸敘寫的詞篇為観察基點，以詞以婉麗為宗的角度切 入，観察稼軒在此一富於女性特質的題材中如何展現個人特色，其豪壯之情如何 在婉約詞體中展現。借重春歸意義的考索以及詞篇中女性的語言形象的討論，抽 繹出稼軒獨特的精神意態之餘，重新認識稼軒詞情的內在意蘊。

Most of the researches on Jiaxuan Xin’ s Ci focus on his unconstrained writing style; however, there are also works with well-propositioned condense quality (穠纖綿密）and high sensitiveness (體情細緻),especially those related to the motif of the return of the spring. Jiaxuan chooses Ci, inherently feminine, as the genre for representing his personal emotions. Jiaxuan produces different amount of poems in the days of spring and autumn respectively. It is therefore worth our close attention to the connections between his selection of genres and emotional representations in writing and seasons.
The term, the return of the spring, involves double conditions: the re-coming and the departing of the spring; both of them result in the subjectivity and mobility of the season spring. In Jiaxuan’s Ci, the time and space, originated from the sense of movement, are more magnificent and infinite than those in poems by other poets. In a sense, Jiaxuan creates a space of representing himself in the blank. On the other hand, as far as euphemism is concerned, Jiaxuan’s Ci will be explored from the perspective of the depiction of the speaker’s looking into the mirror and the sensitive
appreciation of the returning of spring; this feminine way of narration will be analyzed. Based on my observations of Jiaxuan’s method of composing, his Ci will be looked deeper into how the poet displays his personal characteristics and how he demonstrates his unconstrained vitality through this inherently feminine subject matter. For these purposes, this paper engages in both a textual analysis of “The Return of the Spring” and discussions about the feminine way of narration as the starting point attempting to reveal Jiaxuan’s unique spirit besides re-understanding the connotations of his Ci.