魯迅創作象徵作品的時間簡直貫穿了他全部的文學道路。文章全面檢討了魯迅作品的特色，系統梳理了魯迅有關象徵藝術的文學批評，並從二者的結合上初步勾勒了魯迅象徵詩學的基本精神和重要特點。文章認為，魯迅象徵詩學貫穿了三個基本見解，體現了三個重要特點，即：荒誕變形（心理變形、人體變形、性格變），神秘幽深（夢幻、傳說、寓言、箴言），彈力暗示（意象隱喻、意象轉換、彈力暗示）。文章依據魯迅的象徵詩學觀，重新解釋了魯迅的許多作品、尤其是他的代表作品；文章認為，突出體現了魯迅象徵詩學觀的魯迅的象徵作品是作家對新文學的傑出貢獻；進一步研究魯迅文學中的象徵詩學，對於當代文藝發展，肯定將有所裨益。

The time of Lu Xun's creation of symbolic works almost penetrates his whole literary way. This article checks and inquires into the features of Lu Xun's works comprehensively, sorts out Lu Xun's literary criticism about symbolic art systenlatically, and gives a brief account of Lu Xun's basic spirit and important characteristics of his basic principles and viewpoints about symbolic art initially from the com bination of the above-mentioned two sides. The article thinks, that Lu Xun's basic principles and viewpoints about symbolic art penetrates three basic concepts, reflects three important features, that is: fantasy caused by deformation (psychological deformation, body deformation, character deformation), mystery and profundity (illusion, legend, allegory, admonition), elastic suggestion (image metaphor, image transfer, elastic suggestion). According to Lu Xun's basic principles and view points about symbolic art, the article interprets many Lu Xun's works again, especially his masterpieces; The article thinks, that Lu Xun's symbolic works which embody his basic principles and viewpoints about symbolic art prominently are the writer's outstanding contribution to the new literature; It will be of great benefit to the development of the contemporary literature and art that we research Lu Xun's basic principles and viewpoints about symbolic art furthely.