近年來藝術實務研究已成為藝術創作研究方法的重要議題，而藝術實務研究的類型之方法與步驟，因應不同藝術創作個案之獨特性作調整，再發展其創作模式。本文基於「實務相關研究」（practice-related research）類型之理論引導實務取向論證，運用「拼貼」（collage）之質化研究方法，發展建立名畫挪用之數位藝術創作模式，並進行自然環境的藝術關懷題材之實務創作。首先，透過文獻探討歸納出三個面向：（1）科技工具與媒體成為視覺圖像的創作載體；（2）經典名畫的挪用手法與圖像轉化時空異置的現象；（3）自然環境和生態保育的藝術關懷。其次，基於「拼貼方法」作為發展相關藝術實務研究的應用模式，透過經典名作的視覺元素挪用於自然環境題材之數位藝術創作，存在於承載環境、藝術與科技的交互性主體之思維，反映著人為活動造成自然環境的負面影響如環境污染、生態破壞等等。本研究期待透過「名畫挪用之數位藝術創作模式」之建立，結合「自然議題」、「藝術語彙」與「科技擬仿」的數位藝術創作之參考與應用價值。

In recent years, ”art practice research” has taken an important role in the field of art research. How an art practice research is organized with particular procedures and approaches depends on the nature of each case. Based on practice-related research, the authors conducted a qualitative study with a collage approach. In order to develop a model with emphasis on image appropriation of classical master artworks, the authors studied digital media artworks with themes related to environment and/or ecology. Firstly, through literature review, it is concluded that (1) technological tools and media have become means of expression for visual images; (2) the phenomena of image conversion transcending time and space in the appropriation of classical art works; and (3) an emphasis has been placed upon environment and ecology in the creation of art. Secondly, based on a collage approach to create a model for the use of borrowed visual elements from classical master artworks, the practice of digital artworks encompasses the scope of environment, art, and technology. The digital artworks reflect negative effects of human activities towards natural environments (e.g. environmental pollution, ecological disruption and so on). Through the establishment of the model, the authors expect to provide art related information upon environment/ecology, art language, and mimicry of technology.