《海外孤本晚明戲劇選集三種》為俄羅斯漢學家李福清在歐洲發現的明萬曆單齣曲本《樂府玉樹英》、《樂府萬象新》和《大明天下春》。滾唱是穿插鑲嵌進曲牌的詩讚體歌唱。《海外孤本晚明戲劇選集三種》標滾唱的齣目集中在《五桂記》和《琵琶記》二劇，有〈聽卜觀榜〉、〈狀元加官進祿〉、〈牛氏誥問幽情〉、〈牛氏拒父問答〉四齣，【剔銀燈幔】、【古輪臺】、【紅衲襖】、【江頭金桂】、【太平歌】、【稱人心】等六種曲牌。《新增琵琶記》的〈書舘托夢〉雖然沒有標滾唱的曲牌，但它是在《琵琶記》原著縫隙中增出的民間滾調創新劇目，可以觀察滾調作者運用曲牌、曲套發展滾唱的方法。本文以版本互勘、曲譜比對及南北曲格律理論分析方法，探討《五桂記》和《琵琶記》滾調選齣的滾唱與曲牌的關係，歸納滾唱運用的規律。

Three Unique Collections of Late Ming Drama Preserved Abroad are Yue Fu Yu Shu Ying, Yue Fu Wen Xiang Hsin and Ta Ming Tien Chia Chun in single play collection of Ming Wen Li discovered by Lee Fu-ching, Russian Sinologistin Europe. Gun Chang is the poetic singing in Qu Pai. Dramas indicated as Gun Chang in Three Unique Collections of Late Ming Drama Preserved Abroad are Wu Gui Ji andPi Pa Ji, including four play Ting Pu Guan Bang, Zhuang Yuan Chia Guan Ching Lu, Niu Shih Gao Wen Yao Ching, Niu Shih Ju Fu Wen Ta and six kinds of Qu Pai, “Ti Yin Deng Men”, “Ku Lun Tai”, “Hung Na Ao”, “Jiang Tao Chin Kuei”, “Tai Ping Song” and “Cheng Jen Hsin”. Although Shu Guan Tao Meng in NewPi Pa Jiis not marked with Qu Pai of Gun Chang, it was the added innovative play of Gun Diao in the original Pi Pa Ji. We can observe Gun Diao authors’ methods to develop Gun Chang by Qu Pai and Qu Tao. By comparison of versions and scores and theoretical analysis of rules & forms of north and south songs, this study probes into relationship between Gun Chang and Qu Pai of Gun Diao plays of Wu Gui Ji and Pi Pa Ji to generalize the rules of Gun Chang.