在眾多箏樂流派中，有許多箏曲與《八板》的曲體內容息息相關，本文即以客家大調箏曲為研究主體，探討《八板》在客家箏派中的形質樣貌。本文揀選了四首客家大調箏曲與《八板》曲譜對照比較，從中觀察樂曲與《八板》之關聯性，同時就板式變化、旋律特徵、變奏手法與演奏技法等面向，探討《八板》在客家大調箏曲中所展現的形質樣貌。透過本文研究發現：客家大調箏曲以《八板》作為旋律結構的基礎，在流變過程中，加入不同的演奏技法與樂彙表現，形成獨樹一格的客家箏派風格，也呈現出《八板》對於客家箏派的影響。

In the field of zheng music, many pieces do correlate with the content of “Ba- Ban.” This thesis thus takes zheng pieces based on Hakka Dadiao as the main research object to analyze the form and characteristics of “Ba-Ban” in Hakka zheng music. The thesis compared four selected Hakka Dadiao with the score of “Ba-Ban” to investigate their relevance, and further discussed the form and characteristics of “Ba- Ban” that present in these pieces from the aspects of rhythmic pattern, melodic feature, variation method, and performing techniques. The research result revealed that Hakka Dadiao take “Ba-Ban” as the foundation of the melodic structure, merging different performing techniques and diverse musical elements during the developing process, and forms a unique Hakka zheng music style.