張我軍（1902-1955），原名張清榮，台北板橋人。一生於台灣和北京兩地從事教育、寫作與文化工作，曾因受到五四新文化運動和胡適白話文運動的影響，認為台灣文學要有所進展的話，就必須改革舊文學並提倡新文學，其相關言論陸續引發了台灣的文化和文學改革，由是歷來被學界稱為台灣新文學運動的開拓、奠基者。張我軍因兩岸生活閱歷與個人善辯性格使然，使他不滿於當時的台灣社會狀況，故積極以筆代口，寫出對舊文學、舊傳統、舊道德等急需改造的要點；觀其新詩、散文、小說及譯序之作，除了對新舊文學的部分多所著墨之外，還有針對兩岸社會現象和中日文化交流等情況提出批評，對此，張我軍都秉持著不平則鳴的氣概抒發其批判之意，從他的作品中，我們可以發現如是的言論，始終是張我軍一貫的書寫風格。

Wo-Jun Zhang (1902-1955), former name is Qing-Rong Zhang, lived in Taipei Banqiao. The life is engaged in the education, the writing and the culture works in Taiwan and Beijing, because receives China New Culture Movement's education as well as the Hu Shi vernacular literature movement influence, discovered that Taiwan literature want to continue having the development words, must have the literary revolution, has initiated Taiwan native place culture, the literature reform, by is always the earlier worker who is called by the educational world Taiwan new-vernacular literature movement. Based on his experience and disposition, urge him stay in the first line, by a pen generation of mouth, shows that the old literature, the old tradition, the old morals and so on urgently needed transformation disaffection, view his free verse written in the vernacular, the prose, the novel and translates work foreword, besides many inks to the new and old literature's part, but also had many works criticizes social phenomenon and China and Japan cultural exchange, regarding this, Wo-Jun Zhang grasps the spirit which cried out against injustice to express critique meaning, from his work, we might discover like was his opinion, was throughout Wo-Jun Zhang’s consistent written spirit.