〈調笑〉又名〈古調笑〉、〈宮中調笑〉、〈調嘯詞〉、〈轉應曲〉，起源於唐代，北宋開始興盛，至南宋而逐漸衰微。而其體制也產生轉變，宋代已發展出與唐代迥異的形式。其中秦觀（1049-1100）是北宋詞人中較早創作〈調笑〉且聯章數較多者，其〈調笑令〉共有十首，此十首詩詞分別歌詠十位女子，包括王昭君、樂昌公主、崔徽、無雙、灼灼、盼盼、鶯鶯、採蓮女、阿溪、倩娘等十人。由於〈調笑令〉是轉踏表演的主要曲目，其主要目的是提供宴會歌舞吟唱時使用，因此秦觀並無寄託太多的個人心志於其中，歷來探究者也較少，然筆者認為此十首雖屬遊戲娛樂之作，但於其中也可見到作者的匠心，因此本文擬就秦觀十首〈調笑令〉進行分析探討，先簡略述其歷史，再進一步針對其取材、情感、寫作特色、結構特色等四個方面進行討論分析，希望能對秦觀這十首作品有一較為透徹的剖析與了解。

Tiao Siao Ling, it has other name called Tiao Siao, Gu Tiao Siao, Gong Jhong Tiao Siao, Tiao Siao cih, Jhuan Ying Cyu. Tiao Siao starts from Tang dynesty, flourished in Northern Song dynesty, decayed in Southern Song dynesty. From Tong yo Song, It’s form has changed. Cin Guan is a composer of cih poetry in Northern Song dynesty, he is the author who writed Tiao Siao Ling in early stages, his Tiao Siao has ten chi poetry, which were made in the fifth year to the seventh year of Yuanyou reign. These ten chi poetry were singing about ten ladies, including Wang Jhao-Jyun, peincess Le-Chang, Cuei Hueu, Wu Shuang, Jhuo Jhuo, Pan Pan, Ying Ying, lotus picking girl, A Si, Cian Niang. Tiao Siao is the main song in Zhuanta performance, and it was performed in banquet, so Cin Guan didn’t put his mood or menta stage in here, and resercher seldom discuss about these ten chi poetry. These ten chi poetry were made just for fun, but the author consider that it still have other thing we can discuss. Therefore, the essay want to investigate these Tiao Siao Ling, first, introduce Tiao Siao’s history briefly, and then discuss about its material, emotions, writing skill, and language characteristic. We expect that we can have more understanding about these ten works.