瘂弦新詩以廢墟空間檢證存在樣貌，在空間遊牧中，影繪萬洋千城的風景，鉛鑄東西文化。本文採用班雅明與武德爾德的廢墟空間論述，以「創傷敘事」論證瘂弦詩中「不可抗拒的腐敗形式」，以「廢墟情調」析評瘂弦詩「物質領域裡的廢墟」，以「歷史意識」敘述瘂弦詩中「歷史」面對「永恆」而產生的困境，以「精神託寓」收攝瘂弦詩中「重生的」企圖。廢墟空間是創作者／創傷敘事在「時間的銷亡」中的生命經驗交涉，透過修辭、意象、隱喻與託寓的呈現，藉以還原身體、空間、歷史、精神的面貌。瘂弦新詩的廢墟空間是從個人、城市到國家空間憑弔，這一切從搜集不幸開始，廢墟空間正足以揭示存有者與他者、世界的存在作用。瘂弦新詩以「否定敘述」揭露生命空間的脫序與變形，呈現主體思緒的裂解，世界盡是棘目現實，敘述空間的粗暴、憂柔、突變，表徵文化在空間錯置的認同感，深入錯亂歷史，見證存在空間異化。以衝突的情感續展外延感受力，豐厚內涵縱深語境，戲劇張力十足。是故，本文擬以廢墟空間評析瘂弦新詩的敘事美學與社會實踐，論其存在指涉與精神託寓，以創傷敘事、廢墟情調、歷史意識、精神託寓為論述綱要，最終敷以結語，提供一個論析瘂弦新詩的途徑。

Ya Hsien's new poetry examines the appearance of existence through the field of ruin and wanderings. It depicts world scenery with carvings of Eastern and Western cultures. This paper adopts ideas from the writings of ruin by Walter Benjamin and Christopher Woodward. It uses "trauma narrative" to demonstrate "the irresistible forms of decay" in Ya Hsien's poetry; by looking at the ruin’s style, it analyzes "the ruins in the realm of substances" in the poetry; it describes the plight of "history" confronting "eternity" in the poetry with the help of "historical consciousness;" and, it concludes with the "attempt of rebirth" in the poetry through the lenses of "spiritual allegory." The field of ruin is where the author and the trauma narrative meet and the exchange of life experience in "the elimination of time" takes place. Through rhetoric, imagery, metaphor and allegory, body, space, history, and zeitgeist could be restored. The field of ruin in Ya Hsien's poetry visits and ponders on the past of individuals, cities and countries. All of this begins with unfortunate events. The field of ruin reveals the presence of beings with others and the world. Ya Hsien's poetry uses "negative narrative" to expose the disorder and deformation of the living space. It shows the cleavage of subjective thoughts, reveals that the world is full of painful reality, and performs misplaced cultural identities which extend into deeper historic disorders, richer contexts, and more tensed dramas. Therefore, this paper tries to analyses the narrative aesthetics and social practices in Ya Hsien's poetry through the field of ruin. It discusses the poetry’s referent of existence and its spiritual allegories by aspects of trauma narrative, ruin style, historical consciousness and spiritual allegory. Finally, it provides a new path towards our understandings of Ya Hsien's new poetry.