「旅行書寫」可說是文學類型中的一種次文類，其中往往展現了旅者個體主觀的感悟、對客觀景物的描摹，並蘊含對生命經驗的探索與追尋，展現自我意識與心靈自由，勝或進而引發對家國前途的憂患之思。本文以周芬伶作品做為考察對象，所關切的重心在於當旅行活動成為現今眾人普遍生活的常態時，空間移動帶給旅行者的意義為何？性別的不同，尤其是女性，對旅程的參與和觀察，是否更為獨特與細緻？再者，如何透過旅行書寫引發閱讀者的思考，並建構或挑戰因性別視角差異所產生的自我回望與再現。此外，從城市地景描繪轉變為人文風景敘事時，城市與物質記憶形成符號的拼貼和連結，對置身其中的旅者引發何種認同與反思，進而探討旅行與書寫之間所產生的多元意義。

The “journey of writing” can be regarded as a subcategory in the conventional classification of literature categories. While reading these kinds of materials, we can usually find in their content the author’s subjective feelings as well as objective descriptions on the scenery during this journey. Sometimes, this kind of writing also reveals the exploration or pursuit of the author’s life experiences implicitly, and we can even find in these materials the author’s concerns and worries about the future of his or her country to a certain extent. In this manuscript, several articles written by Professor Fen-Ling Chou are investigated. As travel has become a popular interest in the modern era, we focus in this article on several issues related to a journey that one may think about. First of all, the meaning of a journey for a traveler is discussed. Second, the diversity on the observation or participation of different genders during a journey will be investigated. In this part, we will mainly focus on if females have more insight or distinct observation than males do during a journey. In addition, we explore how the texts make readers start to think about themselves, especially in the point of view of the alternative gender. Usually, scenery portrayal can be found in this kind of material, but we would like to specifically investigate what the author is thinking about herself and the type of identification or self-examination that she used for local people and interesting events met during her journey. Finally, a summary on the link and interactions between the journey and the writing done during this journey will be given in this article.