生命的際遇屢受在世環境的摧折躝踐，莊子透過為文發聲， 將苦難析離出來，轉變成生命的一部分，形成創作的媒材。其語 言不是低俗附庸般的唱和，不但能劃界自清於傭俗的凡人，且堅 持保有對維護生命的一份尊嚴，能夠主動介入現實，以喧囂的筆 法，替生命解構與重建，登臨俯蠍天地的瞬息萬變。李白更以柔 性的詩歌訴求，揭露冥替中實存的經驗，勾勒存在的樣貌，進而 省思存在的意義與價值。 詩人採取經世的、介入的、觀察的態度， 以各種語言肯定真理的普遍性，從詩境隱喻著心靈絕對性的其 實。本文以牟宗三所論「主觀境界形態」、「作用的保存」為詮釋 方法，將莊子與李白在風格與人格的做為匯通之釋論。在風格上， 從人生的洞察、語言的開創、表達的奇妙，李白都有著莊子那樣 獨特的自由風格:在人格上李白對莊子的接受，從遊戲、嘲諷、 狂傲等面向，開出主觀境界的逍遙人格。他們是道家精神，各適 其性的人生關懷，在風格即人格的表達上，其將「道」做了最好 的詮解。

Frequent encounters of life living environment Cuizhe Phosphatfilter practice , Chuang Wen audible through to the analysis from the misery out into a part of life, the formation of creative media. Its language is not vulgar vassal -like sing , not only from clear demarcation in the commission vulgar mortals , and insisted on maintaining maintain a dignity of life, the reality can be actively involved in the hustle and bustle of brushwork, for the life of deconstruction and reconstruction , boarding overlooking rapidly changing world. Li Bai IS poetry is more flexible to the demands of exposing Wat in deep existential experience , the presence of faces outline , and then reflect on the meaning of existence and value. Poets take statecraft , the intervention was observed attitudes in various languages is certainly universal truth , poetic metaphor for the soul from the absolute truth. In this paper, Mr. Mou Tsung-san , " the role of preservation" as the interpretation method, Zhuang Zi and Li Bai in style and personality as the Land of the release on . In style ，from the insight of life, language, create , wonderful expression , as Chuang Tzu Li Bai have a unique personal style ; acceptance of Li Bai in the personality of Chuang Tzu ，from the game , mocking , proud and so oriented , open from my Happy personality. They are Taoism , and every man his life caring nature, in the expression of personality style that it will "Tao " to do the best interpretation solutions.