篇名 | 關係的比較學 |
---|---|
卷期 | 39 |
並列篇名 | Comparison as Relation |
作者 | 史書美 |
頁次 | 001-020 |
關鍵字 | 關係比較學 、 葛里桑 、 墾殖園弧線 、 福克納 、 張貴興 、 翠西亞.鮑威爾 、 relational comparison 、 Édouard Glissant 、 plantation arc 、 William Faulkner 、 Chang Kuei-hsing 、 Patricia Powell 、 THCI |
出刊日期 | 201507 |
本文提出一個我稱之為「關係的比較」的新比較理論芻議,主張從事關係 的比較學,或視比較文學為關係研究。為了建立關係比較學的理論框架,我將 先探討珍納.阿布-勒赫(Janet L. Abu-Lughod)、約翰.霍布森(John M. Hobson) 和安德烈.岡德.弗蘭克(André Gunder Frank)等學者所闡述的一體化世界史理 論,再結合馬提尼克思想家愛德瓦.葛里桑(Édouard Glissant)所提出的關係理論 (theory of Relation),連結地理文化史、社會經濟史、文學與詩學。論文以「墾 殖園弧線」為聚焦點,沿著加勒比海地區延伸至美國南部以及東南亞,再折返 加勒比海,分別分析福克納的南方小說、張貴興《猴杯》的婆羅洲熱帶雨林故 事、及翠西亞.鮑威爾(Patricia Powell) 筆下黑人,進口苦力的白種商人、華人 苦力與小店主聚居的牙買加。本文要旨有二:首先,我要說明以敏銳的世界史 觀進行關係研究,如何要求世界文學需盡可能更嚴肅看待其「在世性」;其次, 我要證明關係的比較學如何為比較文學打造新舞臺,甚至開啟新的生命。
This essay is a modest proposal for relational comparison. It argues for comparison as relation, or doing comparative literature as relational studies. To set up the relational framework, I first draw insights from the integrative world history detailed by such scholars as Janet L. Abu-Lughod, John M. Hobson, and André Gunder Frank. I synthesize these findings with the theory of Relation developed by Édouard Glissant as a way to link geocultural and socioeconomic history not only to literature but also to poetics. The specific pivot traces what I call the “plantation arc,” stretching from the Caribbean to the American South and to Southeast Asia. I examine the interconnectedness of the literary works along the post-slavery plantation arc such as the plantation novels of William Faulkner set in the American South, Chang Kuei-hsing’s Monkey Cup set in the Borneo rainforest and the Caribbean of Patricia Powell, the Jamaica of post-abolition blacks, white coolie traders, Chinese coolies, and shopkeepers. The purpose here is two fold: first, to illustrate how doing relational studies with a keen world historical sense demands that world literature take its worldliness more seriously than thought possible; and second, to show how relational comparison opens up a new arena, perhaps even a new life, for comparative literature.