本文旨在探討德勒茲的圖表史觀特徵。第一部分說明論文研究重點。第二部分評述圖表的問題性思維方式，並分析從圖表史觀所引出的圖表自身、橫向與縱向之系譜結構。第三部分討論圖表史觀與黑格爾藝術史觀、阿多諾藝評史觀之間的差別。最後，發現圖表史觀乃出自「反再現的目的論功能」和「問題性的系譜功能」的相互生成，而從圖表發展出來的藝術哲學，則是「反再現」和「反同一性」要求下的衍生品。

This paper discusses the characteristics of Deleuze’s historic vision on the diagram. The first part presents the objectives of this study. The second part criticizes the logic of problematic in the diagram and analyzes the diagram itself, and then analyzes the horizontal and vertical structure of teleology that reflects the historic vision of the diagram. The third part discusses the differences among Deleuze’s historic vision on the diagram, Hegel’s artistic historicism, and Adorno’s historicism of artistic criticism. This paper draws the conclusion that Deleuze developed his historic vision on the diagram in light of the intercourse between genealogical function of anti-representation and problematic teleological function; however, in formulating a philosophy of art linked to the diagram, he elaborated on ideology of anti-representation and anti-identity.