本論文由台灣當代原住民文學生產下手，探討台灣原住民「意象」（image）與「想像」（imagination）與現代性的辯證關係，闡明原住民文學生產對「現代性」認知的反思與啟發，從中又如何凝聚「超越」「現代性」的可能。論文舉取台灣當代原民作家利格拉樂‧阿女烏與夏曼‧藍波安作品為例，由原住民與現代性的交鋒與協商切入，轉進原住民土地／海洋、身體、語言等面向，探討台灣原住民作家在面對被壓抑遺忘的歷史／部落記憶以及母語認同的斷層時的掙扎、反省、尋根與突破，由文本佐證理論，作為原住民與現代性相關議題之初步考察。

This article analyzes, from the perspective of Georges Bataille’s notion of transgression, the transgessive nature of Pietro Aretino’s two celebrated erotic works: Sonetti lussuriosi (1524/25) and Ragionamento (1534/36). As the “Father of Modern Pornography,” Aretino is the first professional/erotic writer catering to the market and to the taste of the general public. Writing erotica for the general public itself is already a transgressive gesture which defies the taboos of Catholic Church. Furthermore, in his writings of prostitutes (porno-graphies), Aretino uses prostitutes, who, as the social critique par excellence, share the same fate as writers, as a vehicle for his anti-clericalism as well as a social critique of Renaissance Italy.