本論文探索後布達佩斯學派的企圖中，由馬爾庫什 (GyOrgy Markus)試圖發展之一種文化現代性的構成理論。自他在 70年代末移居至澳洲的變遷著手，本文重建了他崇高企圖的主要元 素，即他那探索了在科學、哲學，以及美術中自成一格的文化關係之 現代文化典範理論的企圖。由此我們能體會：他對現代啟蒙運動理論 化的獨特貢獻、他將啟蒙運動和文藝復興態度這兩種悖論的統一體作 為基本文化現代性之組成要素的理解，以及他自身建構一種對此挑戰 能勢均力敵之哲學的計畫。

This paper explores the post-Budapest attempt by Gyorgy Markus to develop a theory of the constitution of cultural modernity. Commencing from the biography of his emigration to Australia in the late 1970,s, it reconstructs the main elements of his novel attempt in terms of a theory of modern cultural pragmatics, which explores the sui generis cultural relations in science, philosophy and art. In this account we come to appreciate his distinctive contribution to contemporary theorization of Enlightenment and also his understanding of the antinomous unity of Enlightenment and Romantic attitudes as the basic constitutive elements of cultural modernity, as well as his own programme for a philosophy equal to its challenges.