本文試圖以法國當代思想家朱利安（François Jullien）在跨文化論述中所發展的「間」（entre）、「間距」（écart）和與之相關的「共同∕共通」的思考為據，來探討有關「普世性」概念的跨文化指向、以澄清其中所隱含的意識形態問題。本文除了藉以瞭解朱利安對於普世及共通間的辯證關係的探討，並將進一步以「米開朗基羅的當代對話」∕A Contemporary Dialogue with Michelangelo的策展為例，闡述當代藝術策展的「普世性」的可能面向。

The present paper intents to base upon the concepts of “entre”, “écart” and the related reflections on “common/communication” developed by French philosopher François Jullien in his cross-cultural studies to explore the idea of the universal in an inter-cultural perspective and to clarify its ideological problems. It will not only try to understand the dialectical relationship between the universal and the common/communication in the thinking of François Jullien, but also take the exposition “A Contemporary Dialogue with Michelangelo” as an example to interpret the possible aspects of the problems related to the universality in the contemporary curation.