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臺東大學人文學報

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篇名 中國民間表演鑼鼓中鼓類樂器的演奏方法
卷期 2:1
並列篇名 The drum performance method in Chinese folk Luogu performance
作者 施德華
頁次 063-094
關鍵字 奏擊方式奏擊向性奏擊位置Gu attack modestriking directionhit placement
出刊日期 201206

中文摘要

表演鑼鼓是一種以音樂中的鑼鼓演奏為主,並同時具有舞蹈演技性質的民間表演藝術。這樣同時具有聽覺及視覺的表演方式相當受到大眾的喜愛,長時間以來,在民間廣為流傳,現今幾乎已遍布於全中國的每個地區。中國由於地大物博,歷史悠遠,從古至今打擊樂器始終於各地人們的生活中盛行不衰,因此其樂器種類可謂包羅萬象。這些眾多不同類別的樂器中,鼓類樂器在中國人的生活裡普及之程度,由民間經常以「鑼鼓」這個名稱用來泛指所有打擊樂器之事實即可見一般。本文分別從「奏擊方式」、「奏擊向性」與「奏擊位置」三種不同之角度,將中國分布廣泛、種類繁多的中國民間表演鑼鼓中所使用的鼓類樂器之演奏方法,進行各種相關的系統分類與論述。期望本文所探析的結果能對樂界與學界提供更多相關的研究資料及貢獻。

英文摘要

Luogu performance has been classified as traditional music percussion performance, and is also associated in the field of folk performing dance. The combination of the visual and auditory art has developed a real attraction and passion for Luogu representation in the population, and such attraction has spread widely in the folk for a long time. Nowadays, the way of representation has almost proliferated in entire China. As China is a gigantic country rich in history, tradition and culture, the percussion instruments have been found in its people’s daily life from ancient until present times. Therefore, its types are various and extremely different. Among the percussion instruments, the “Gu” drums are the most common and performed in the daily life in China. The proof is that the Chinese usually use “Luo-Gu” to refer to all the percussion instruments in general.This research considers the techniques and skills using by Chinese folk in Luogu instrument performance as the leading object of analysis and study. Its includes three different aspects of performance method: the attack mode, the striking direction and the hit placement. We hope this study will provide a more related research material and making further contributions in the field of education and academic circles.

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