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東吳中文學報 THCI

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篇名 晚明戲曲選集對《五桂記》及竇儀故事的輯存
卷期 30
並列篇名 The Selective Edition and Reservation of Wugui Ji and Dou Yi Stories in Late Ming Dynasty Drama Anthology
作者 侯淑娟
頁次 205-238
關鍵字 竇儀晚明戲曲《五桂記》戲曲選集Dou YiLate Ming DynastyOperaWugui JiOpera anthologyTHCI
出刊日期 201511

中文摘要

《五桂記》寫竇禹鈞教子有成,五子登科,加官進祿,揚名天下的故事。但此劇全本已亡,只能從晚明戲曲選集所收齣目勾勒劇情。傳奇以生為主角,此劇生扮演竇氏長子竇儀,可知作者以竇儀為主角的劇情構思特點。竇儀是真實存在的歷史人物,《宋史》中有傳,正史著重記錄他對北宋禮制、法律、科舉制度確立的貢獻。但在民間,竇儀故事以「金星試竇兒」的宗教性籤詩用典而流傳。此典正史無載,但卻與《五桂記》之單齣劇目〈金精戲竇儀〉在舞臺上的流傳密切相關。筆者在爬梳戲曲研究資料中,發現晚明共有十三種戲曲選集收錄《五桂記》齣目,去其重複,目前《五桂記》共有九齣留存。本文從晚明戲曲選集對《五桂記》的保存與選輯,《五桂記》留存齣目析論與竇儀故事的重新建構,以及《五桂記》竇儀故事探析等三部分內容,探討晚明戲曲選集對《五桂記》及竇儀故事的輯存。

英文摘要

Wugui Ji wrote the stories of Dou Yu Jun who raised and taught his son successfully, also was success in his life, including having a wonderful family, getting official promotion in Ming Dynasty and being famous all over the world. However, the drama of Wugui Ji was definitely disappeared, so the only way to reappear it is to outline the drama from the late Ming Dynasty opera anthology. The main role of legendary was “Sheng”, who was the eldest son of Dou Yu Jun named Dou Yi. In this case, the plot conceived features of the author’s opera was that Dou Yi was the protagonist. Dou Yi was real historical figures. There is a biography of Dou Yi in Song History. Masashi focused on recording his contribution to the Northern Song Dynasty etiquette, law and the imperial examination system established. But in the private society, the stories of Dou Yi were spread in religious poetry signs of “Venus test Dou Yi”. Nevertheless, it was no-load in Masashi, but had closest relation with single repertoire of Wugui Ji, Jin-Jing play Dou Yi, which was spread on the stage. Through author’s opera studies, found that there were a total of thirteen kinds of anthologies recorded repertoires of Wugui Ji. Removing the duplicates, there were nine repertoires retained currently. According to the preservation and selections of Wugui Ji in late Ming Dynasty drama anthology, the aim of the study is to discuss the retained repertoires, restructure the stories of Dou Yi and investigate Dou Yi stories of retained repertoires of Wugui Ji in late Ming Dynasty opera anthologies according to the discussion the other three parts of Wugui Ji.in Dou Yi stories.

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