篇名 | 論古典與現代作品中的夢:卡爾德隆的《人生如夢》 與阿枚納巴的《睁開雙眼》 |
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卷期 | 14 |
並列篇名 | Dream on Classical and Modern Works: Life is a Dream of Calderon de la Barca & Open Your Eyes of Alejandro Amenabar |
作者 | 劉碧交 |
頁次 | 063-074 |
關鍵字 | 夢 、 身份認同 、 卡爾德隆 、 阿枚那巴 、 dream 、 personal identity 、 Calderon de la Barca 、 Alejandro Amenabar |
出刊日期 | 201512 |
DOI | 10.3966/181147172015120014004 |
十七世紀的卡爾德隆在其戲劇作品《人生如夢》中,抒寫浮生若夢的思想,一直影響到當代作 品,例如1997年由西班牙電影導演阿枚那巴所執導的《睁開雙眼》。這部電影劇情懸疑恐怖,情節緊 扣心弦,尤以強調主角內心處於現實與想像、夢醒之間的模稜情境時,尋找個人身份認同的議題,猶 如《人生如夢》一般。本論文據此藉主題分析的方式,解析兩位不同時代的劇作家及電影導演,運用 其獨有創作思想與美學,證釋虛實情境交替之夢與身份認同議題的手法。
Calderon de la Barca, a famous author of the 17th century, looked at the meaning and the problem of life in his drama Life is a Dream, which has been affecting the contemporary work since then. The film Open Your Eyes, directed by Alejandro Amenabar in 1997 should be one of the examples. The plot of this suspense and horror movie closely touched the audience to the heart. Under the influence of Calderon, Amenabar also explored in his film the problem of personal identity and the ambiguity between reality and imagination, the dream and the insomnia as in Life is a Dream of Calderon. Based on thematic analysis, this study aims to analyze how these two authors of different eras interpret these two concepts: dreams and personal identity. The aesthetics of their works is also discussed.