清代康熙55 年出任琉球冊封副使徐葆光所著《中山傳信錄》一書公推 為歷代使琉球錄的白眉之作，甚且譯成多種歐洲語文，是西方認識琉球最 重要的典據之一，徐葆光詩文集過去僅知有《舶前集》存世，近年發現徐 葆光《舶中集》、《舶後集》（三種合稱《海舶三集》，或慣稱《奉使琉 球詩》）等著作。其中《舶後集》一書後附一組詞作，就自鳴鐘、望遠鏡、 鹿毛筆等事物加以吟詠，從中可以看出徐葆光的航海時光與琉球經驗，可 謂文化交流史與物質文化交融互攝的絕佳範例，饒富趣味。雖然目前琉球 冊封使的研究已經汗牛充棟，以詞為中心的研究似仍不多見。以此觀之， 徐葆光此組詞作也有文學史的特殊意義。本文擬以東亞交流史的觀點切 入，就徐葆光此組詠物詞作的文化意涵加以探析。

Zhong Shan Chuan Xin Lu, written by Xu Baoguang (the deputy title-conferring envoy to Ryukyu islands) in 1716 (the 55th year of the reign of Emperor Kangxi of the Qing Dynasty), is acclaimed as a classic among the records of the imperial mission to Ryukyu throughout the ages, and has been translated into several European languages. It is one of the most important works for the Westerners to be acquainted with Ryukyu. Bo Qian Ji was once the only one extant anthology by Xu Baoguang, but in recent years more writings such as Bo Zhong Ji and Bo Hou Ji have been found. These three volumes of poetry are called Hai Bo San Ji, or Feng Shi Liu Qiu Shi. A group of Ci at the end of the book Bo Hou Ji is on things like chime clock, telescope and deer writing brush, which reveal Xu Baoguang’s interesting sailing time and Ryukyu experiences. It could be regarded as one of the best examples for the communion and complementarity between the history of the cultural interactions and the material culture. Though there are plenty of studies about Xu Baoguang’s title-conferring envoy to Ryukyu, the research with an emphasis on his Ci is still rare currently. In this perspective, his Ci has a special meaning for the history of literature. This article is intended to start from the history of cultural interactions in East Asia and then probe into the cultural meaning of the Ci of Xu Baoguang.