莫言在 1985 年的一部名為〈白狗鞦韆架〉的小說中，首次提到他的故鄉──「高 密東北鄉」，從此以後，他的創作就幾乎圍繞著故鄉打轉。〈白狗鞦韆架〉於2003 年改 編為電影，導演為霍建起，同樣以讀書人回鄉的「負疚」與「懺悔」之情節貫穿全文。 莫言的小說，具有豐富的電影感，本文僅從「電影閱讀」的角度出發，針對〈白狗鞦韆 架〉文本中具有電影感的部分，加以分析論述。

In his 1985 novel, White Dog and the Swing, author Mo Yan first introduced his hometown of Northeast Gaomi Township. Thereafter, almost all of his works revolved around his hometown. In 2003, White Dog and the Swing was adapted into film with Huo Jianqi as director, and the film took on the same plot of the “guilt” and “repentance” of a scholar in returning home, which permeated the entire novel. Mo Yan’s novel possesses larger than life cinema vision, therefore by means of reading a film, this study takes from the original novel only the parts that possess a cinematic sense to perform its analysis and discussion.