臧棣的寫作對於華語當代詩而言具有開拓性的意義。本文試圖通過拉岡晚年對於絕爽與語言的討論，探討臧棣詩學如何體現出一種新的、以虛空為特質的主體性，而這種主體性又是如何推進了對於他者話語的重新書寫。本文分析了臧棣寫作中的語言策略，發掘出其中對意義的消解和爽意的共存。最後，本文也探索了這種詩學特徵如何在連接拉岡學說的同時，也呼應了以莊子為代表的中國道家傳統。

This article discusses the writings of Zang Di, a pioneer of contemporary Chinese poetry. Through the language theory of jouissance that Lacan developed in his late years, I attempt to examine how Zang’s poetry demonstrates a new subjectivity of voidness and how this subjectivity rewrites the discourse of the Other. I analyze the language strategies of Zang Di’s poems and investigate the coexistence of the deconstruction of meaning and the jouissance. Finally, I explore how such poetic characteristics echo traditional Chinese Daoism by way of Lacanian theory.