篇名 | 《清華三.周公之琴舞.成王敬》第三篇研究 |
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卷期 | 29 |
並列篇名 | The Study of the Third Chapter in Advices Written by Cheng Wang in Dance with Musical Instruments Written by Zhou Gong on The Tsinghua University Warring States Bamboo Manuscripts (III) |
作者 | 季旭昇 |
頁次 | 147-168 |
關鍵字 | 淵抑 、 矜德 、 殹(緊 、 抑) 、 Yuan Yi 、 Jin De 、 yi 、 THCI Core |
出刊日期 | 201506 |
《清華三.周公之琴舞.成王敬毖》是周公還政成王後,成王自勉的一組詩。本文針對第三篇逐字逐句進行研究,肯定全文表達了成王對「元德」的自我要求,以及對周邦初立,國勢不穩定的憂患意識。本文對「曰淵與抑」、「不易威儀」、「在言惟克」、「非天矜德」、「繄莫肯造之」、「懋敷其有脫」提出了新的解釋。並指出「畏載」讀為「畏忌」的聲韻關係,「殹」讀為「繄」釋為「語詞」的相關論證。
The Advices written by Cheng Wang in Dance with musical instruments written by Zhou Gong on The Tsinghua University Warring States Bamboo Manuscripts (III), is a series of poems written by Cheng Wang to encourage himself, after Zhou Gong returned the political power to him. This article discusses the third chapter word by word, and affirms that the whole text expressed the self-request of Cheng Wang for Yuan De, and the concerns for the political stability of Zhou Dynasty. This article proposes a new interpretation for the following terms: “Yue Yuan Yu Yi(曰淵與抑)",“Bu Yi Wei Yi(不易 威儀)",“Zai Yan Wei Ke(在言惟克)",“Fei Tian Jin De(非天矜德)",“Yi Mo Ken Zao Zhi(繄莫肯造之)",“Mao Fu Qi You Tuo(懋敷其有脫)". Furthermore, this article also shows the rhyme relationship of “Wei Zai(畏 載)"read as“Wei Ji(畏忌)", and the demonstration of the relation of “Yi (殹)"read as“(繄)"which explained as “form word".